Showing posts with label Ben Henry. Show all posts
Showing posts with label Ben Henry. Show all posts

Casting Agent: "Breaking In"

It's Sunday, which must mean it's time for another round of Casting Agent, everybody's favorite baseball-card game. The rules: You choose, based on the photograph on the front of their baseball card, the perfect candidate for each role in a film or television show.

Musical television series seem to be popular these days, what with Glee and Smash and, well, maybe that's it. Could that mean that the premise is ripe for a third show? Today I'm casting "Breaking In," a sports operetta and star vehicle for real-life big-league brothers Paul and Rick Reuschel. Think of it as an all-singing The Bank Job meets Friday Night Lights.


"A" Plot: College World Series–winning teammates and twins Paul and Rick are drafted by the same major-league team. The twins are going in opposite directions—Rick's going to be a star and Paul rides the pine.

"B" Plots: The manager masterminds a series of bank robberies—committed by the veterans on the team—in the cities where the team is playing. Paul is making in-roads with the veterans' criminal schemes, while Rick is against the idea of committing a crime.

Characters

1977 Topps Big League Brothers Paul/Rick Reuschel
Paul and Rick Reuschel as Paul and Rick, twins with different baseball destinies

1976 Topps Bill Greif
Bill Greif as Wayne, Rick's pitching rival and team-bus getaway driver

1993 Stadium Club/Ultra Pro Barry Bonds
Barry Bonds as Lamar, a good-natured, generous veteran outfielder and safe-cracker

1980 Topps Bo McLaughlin
Bo McLaughlin as Manager Schnute, former major-league All-Star managing on his laurels. Also criminal mastermind.

1976 Topps Jim Bibby
Jim Bibby as Zero Sampson, veteran pitcher and do-gooder morally opposed to team's criminal activity.

1976 Topps Mike Tyson
Mike Tyson as Rifle Baby, tough-as-nails shortstop and sharpshooter enforcer

1987 Donruss Bob James
Bob James as Country Gold, veteran relief pitcher and loose cannon

Ridiculous boudoir photo of Frank Thomas masquerading as a trading card, 1993 Donruss Studio
Frank Thomas as The Big Hurt, power-hitting first baseman and muscle-bound enforcer

1981 Fleer Dave Parker
Dave Parker as Cobra, a legendary criminal con man, known for banking nearly $10 million in an unprecedented string of 57 daring robberies; special advisor to the team

1976 Topps Traded: The Missing Cards - #140 Vida Blue

1976 Topps Traded: The Missing Cards - #140 Vida Blue

As part of the Great Finley Fire Sale of 1976, the Oakland A's sold Vida Blue to the New York Yankees on June 15th. Three days later, the league voided the sale, returning Blue to Oakland. This custom card is how I think Topps would've handled it.

The Lost Awkwardness of the Combo Card

1964 Topps "Bill's Got It"


The combo card just ain't what it used to be. Used to be, a group of players would stand around on the sidelines either before a game (most often the All-Star Game or during spring training) or during practice, and awkwardly pose with members of their own or another team. Included in every Topps set from 1957 through 1969 (with the exception of 1965), nearly every Fleer set from 1982 on, Upper Deck sets from 1990 to 1993, and random other sets (including 1960 Leaf), combo cards were exciting to receive in a pack, pushing collectors to further idolize players on their favorite teams. The photos were posed, and the titles were usually clumsy alliterations or hackneyed exposition — to entice the collector to flip the card and read the description on the back (see "Bill's Got It," 1964 Topps). The writing was usually terrible, and the connection between the players weak or nonexistent (many writers have highlighted this with great success, including Mike Kenny, our talented and hilarious contributor here at The Baseball Card Blog).

Still, it was something to get a combo card. It showed the manufacturer — and the players themselves — had a playful side, that baseball wasn't all business. We wanted our heroes to take the game as seriously as we did, but we also wanted to know they knew how to joke around. It's this idea — separation of business and pleasure — that made the combo card important to their respective sets.

2007 Topps "Classic Combo"
For Topps, the sets that included combo cards were mostly endless oceans of faces. And once the regular player photo moved off the sidelines and the action shot became de rigueur (around 1970–1972), the posed-combo-card playfulness disappeared. What makes this interesting is that when Topps re-introduced the combo card in its flagship sets beginning in 2006, the manufacturer brought it back as another vehicle for its action photography. The new Topps "Classic Combos" lack the very essence of what made those earlier examples so exciting: the inherent awkwardness of posing for a photograph as a couple or a group.

Collectors' brains are now tuned to action shots—action is all we see on sports cards. But awkwardly posed groups of players, often together for only that one photograph? You rarely see that these days. It seems like everything's scripted; that when not playing, players are ushered from one place to another by people with clipboards and headsets.

1963 Topps (left); 2012 Topps Heritage (right)

This last bit is important for how the combo-card concept has been approached in Topps Heritage sets. The Heritage brand emulates the original vintage Topps sets of the 1950s and 1960s. For combo cards, that means the awkwardness of the posed sideline group. Because of tight schedules or whatever other reason, however, players are hardly ever photographed together for Heritage sets. Instead, their images are layered over each other during production to create the illusion that they posed together. Or—and here it is again—an in-game action shot is used.


2007 Topps Heritage "World Series Batting Foes" - layered images

So to celebrate the lost awkwardness of the combo card, see below for some of my favorites. And make sure to check out The Baseball Card Blog's Facebook page for another combo card I'd like to see.

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